Film Making

Can You Hear Me Now? Možete li Čujte me sad?

Audio is one of those things that you have to have for your movie but don't want to really think about.  You want it to just magically happen and let's face it, nothing in filmmaking happens "magically".  It might look that way but it doesn't.  What you need is a good audiophile, somebody that loves to hold a boom with a microphone on the end of it. Audio je jedna od onih stvari koje morate imati za svoj film, ali ne želite zaista mislite o. Želite da se samo magično se dogoditi i neka lica, ništa ne dogodi u filmmaking "magično". To može izgledati taj način, ali ne. Što vam je potrebno je dobar audiophile, nekoga da voli da se u bum s mikrofonom na kraju.

You can look for someone talented with sound or you can figure it out yourself.  I suggest that you get at least 2 decent remote mics that sync with your camera.  While your camera may have sound it is usually really bad.  The remote mics can be worn on the body of the actor.  These will work adequately but proper mic placement it necessary. Možete tražiti nekoga talentirani sa zvučnim ili možete ga lik iz sebe. Predlažemo da sam dobiti najmanje 2 pristojne daljinsko mics da sinkronizirati s kamerom. Dok vaš fotoaparat svibanj imati zvuk obično je stvarno loš. Daljinski mics može biti nosio na tijelu i glumac. Ove će se raditi ali adekvatno pravilan mic plasman je potrebno.

When placing the mic on the talent use your fist with thumb extended up and pinkie extended down in the ol' hang loose hand sign.  Place the thumb under the chin and at the end of your extended pinkie is where the mic should be placed.  This places the mic close enough for good sound but far away enough from the mouth to prevent popping and sibilance. Kada je postavljanje mic na talent koristiti svoj pesnica s thumb produžena i proširena pinkie dolje u ol 'objesiti loose rukom znak. Staviti palac pod podbradak i na kraju Vašeg extended pinkie je gdje mic bi trebao biti postavljeni. mjesta na mic zatvorite dovoljno za dobar zvuk, ali dovoljno daleko od usta kako bi spriječio iskakanje i sibilance.

If you are fortunate to have a mic with a boom then this is the way to go with group scenes.  It is a real pain for a boom operator to handle a boom for an entire day of shooting, but those audiophiles just love this stuff.  They will hold a boom for days and love it. Ukoliko su sretan da imaju mic s bum onda je ovo put da ide s grupom scene. To je prava bol za vrijeme cvjetanja operator za obradu jednog bum za cijeli dan snimanja, ali one audiophiles samo ljubav ovu stvari. Oni će se održati za vrijeme bum i ljubavi.

Once you get your sound back in the studio you will need to edit it along with the image.  Previously filmmakers had non-linear systems to edit their sound but now you have available non-linear editing. Nakon što ste dobili svoj zvuk natrag u studio morat ćete urediti ga uz sliku. Filmaši već je ne-linearnih sustava za uređivanje njihovog zvuka, ali sada imate na raspolaganju non-linear editing. This means that NLE gives you the ability to move sound clips back and forth within the video itself. To znači da NLE vam daje mogućnost da se presele zvučne isječke natrag i naprijed unutar video sama.

Along with recording the dialog of the film there is always sound effects and a soundtrack to provide.  The movie would be quite dry if there is no soundtrack or sound effects.  Making a soundtrack can be quite difficult unless it is all original work.  This is when you might look for music that is already recorded but that could present quite a few problems.

Violating copyright on anything belonging to another artist or their agent that owns the rights to the music, can hold up you up in post-production and keep you from being able to release your film.   There are ways around this but only a couple.  You can always use music that is public domain.  Any piece of music or image that has not ownership attached to it means that there is no person or organization that has a proprietary interest in this music or image.

The second solution for adding a soundtrack to your film is to simply use original work.  This is easy if you happen to have a friend that writes and performs music that works with you film.  Many budding composers and musicians are looking for a chance to work with a filmmaker so that they can partner their music making talents.

Film Making - Google News
Film Making - Google News
Film Making - Google News

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